[If his speed makes him hard to track, the sound of his laughter is easier to follow - why is he laughing, what's so funny? - her lips tug into a frown of concentration as she changes the pattern of her attack to one long line extending over him and then closing in from both sides.]
What's so funny?
[And in the back of her mind, she's thinking: He adjusted too quickly, he's navigating that with his eyes closed, how is he doing that, doesn't really seemed surprised at all -- why is he laughing?]
[Action]
What's so funny?
[And in the back of her mind, she's thinking: He adjusted too quickly, he's navigating that with his eyes closed, how is he doing that, doesn't really seemed surprised at all -- why is he laughing?]